June 16, 2010

Respect to Crispin Hellion Glover

He was silent all through “Charlie’s Angels,” but Crispin has a lot to say in person.

I recently saw Crispin Hellion Glover at the IFC Center in Manhattan.  He was in town promoting his films “What is it?” and “It Is Fine, EVERYTHING IS FINE” with readings from eight (!) of his books in something called a “Big Slide Show,” which preceded whatever film was being shown that night. I went both nights to see both films.

Glover’s books are essentially antique texts reformed into new work with added writing and pictures, creating an often amusing and unsettling effect.  During the slideshow, Glover reads through slides of pages of the book, dramatizing the words and interacting with graphics.

Then there are the films.  A lot has been said about them and I really can’t add anything more, apart from how they made me feel.  They both pushed me into unfamiliar territory and I felt uncomfortable, which is sort of thrilling for me, since I’m incredibly jaded about many things (yes, Asians love jade).

After each film, Glover launched into an exhaustive 70 minutes-plus Q&A/talkback.  One question could launch a 15-20 minute reply.  Glover was well aware of how much he was talking, saying that he’d read online about how people felt that he “rambled” during the Q&As; yet, by doing so, he was answering a lot of other unasked questions.  True enough, as the night went on, there was a sense that all potential queries were addressed.

One of the most important things I had to hear was that when he was younger (playing the father-in-the-past in “Back to the Future”), Glover said that he would turn down work because the characters and the stories wouldn’t fit the psychology that reflected his interests.  Later, though, he realized that he could take roles that would help his acting career, make more money and pour it into films that he really wanted to make, hence “What is it?” and “It Is Fine, EVERYTHING IS FINE.”  Those movies were basically funded with the role he took in the Charlie’s Angels films.  Once he was in that mindset, he discovered he could actually have fun acting in movies he didn’t necessarily find fulfilling to his personal artistic sense.

On the second night, I picked up the three books offered for sale (Oak-Mot, Rat Catching and Concrete Inspection) not so much because I enjoyed his slideshow presentation of the books, but really as souvenirs for one (two?) of the most strange, compelling and generous live performances I’ve ever seen.  Also, Glover is still recouping for the films with the shows.  He says he can tour at a more leisurely pace now, with the success of Alice in Wonderland.  These tours take a lot out of him.  It’s easy to see why.  He did the equivalent of two solo shows each night.

I salute you heavily, Crispin Hellion Glover, as a man who approaches his art whole-heartedly!

No CommentsPosted by Ed Lin at 5:55 pm

May 16, 2010

Pictorial Reading Tour Recap!

Still resting up from this crazy reading tour!  Thank you media sponsors, Giant Robot and Hyphen!

I totally planned and executed the Portland-to-Portland (Maine to Oregon) reading tour, split up over three weeks.

Well, the first reading was an open mike at East Meets West in Boston.  I had envisioned it as a low-key kind of thing, to try out my material for the first time in front of other people, but Alvin Lin (no relation) from Hyphen was there and actually blogged about it.

And then it was off to Portland, Maine, home of the awesome Longfellow Books and the International Cryptozoology Museum.

Bigfoot and I do some sole searching.

I was pretty stoked to meet Loren Coleman at the museum, who gave a guided tour.  As someone with a strong interest in the unknown and unexplained, I had read a few of his books and articles in Fortean Times.

Loren then went ahead and blogged about my wife and I visiting the museum!

We stayed at the museum longer than we had planned to and without a moment to spare, ran off to Longfellow Books.

I love Longfellow Books and their awesome audiences!

Chris Bowe, one of the proprietors of Longfellow Books and a super-cool guy, introduced me although he had literally minutes before been in a serious car accident!

Phyllis in Portland made these chocolate fortune cookies and she is cool!

Then it was back to New York for a few days off, before a slew of readings in my hometown.

Barnes & Noble, Tribeca. The home crowd is supafly dope and it’s great to curse in front of pals from work!

Me, my books and some arm candy.

Sung Woo, author of Everything Asian, who read with me at Sulu Series.  Yeah, Sung!

Catzie Vilayphonh, who is everything Asian, at the mike!

I thought I was staying in a rough part of town in College Park, Md., but this candy machine is suited up to protect itself against the students, who apparently get wasted every weekend and riot on gamedays.  Go Asian American Literary Review!

We used to be punk, man.  Me with Martin Wong.  This is my first day in L.A., about two hours after stepping off the delayed plane.

Eric Nakamura meets a couple from the East Coast.

Just in case this ancient Giant Robot t-shirt disintegrates while I read, Eric will have it on the Flip cam.

In Encino, I am recognized by my biggest fan.


Thousand Oaks, represent!  Mysteries to Die For rules!

Sparse crowd in San Diego, but this was one of my favorite readings.  It was seriously fun.  Thank you, Mysterious Galaxy!


Dude!  It’s Robin Sukhadia and Neela Banerjee at Giant Robot SF!

Claire Light wows the crowd at EastWind Books.

Joel Barraquiel Tan brings it on at Eastwind.

I am shocked by something.  What could it possibly be?

It’s the Cat Whisperer at Seattle’s Pike Place.  Note the man’s tail.

Whenever I get into a new town, I try to poison myself as fast as possible.  These Pike Place donuts will do the trick.

Soya Jung is awesome and was awesome at Elliott Bay Book Co.!

A contemplative moment at Voodoo Donuts, Portland, Ore.

The signature Voodoo Doll Donut.  These things are big.  Remember what I said about poisoning myself?


Do I seem worn out?  The last reading of the Portland-to-Portland tour!  Murder by the Book rules!

I’m not done?  Yes, the readings are over, but there’s one last thing to do. . .

It is awesome getting people into writing.  AAJA-Portland, Thymos and Friends of Portland Chinatown, you guys are awesome!

Last night of the tour with the incredibly beautiful and talented Cindy Cheung.

I know I make it look easy, but I wouldn’t have been able to do it without all of you who came out.  Thank you so much from the bottom of my donut-encrusted heart!

10 CommentsPosted by Ed Lin at 11:31 am

April 6, 2010

Ed Lin Bookmarks Only at Your Local Store

I shoulda been a hand model!

Your local bookstore is great for a lot of reasons, but surely one of them is that it is hosting one of my readings.

Now check this out.  The amazing singer-songwriter Cynthia Lin has made an extremely limited number (200) of these really cool letter-pressed bookmarks and they will only be available to people who buy books at my upcoming readings.

I came up with the idea for these after I went to see a friend’s reading.  This woman in the audience sitting next to me nudged me and said she was going to buy her book online.  I pointed out that she should support the store for hosting the reading (which like most readings, was free), but she waved it off.  She also didn’t care about not having the author autographing her book.

I would like to say that she didn’t know that I was a writer — but she did!  She was Chinese, too, so that probably explained the complete lack of tact.

Sure, there are always outlets online that sell books at a major discount.  But think about it.  You may save a few bucks by buying online but you are paying for the gas that powers the bulldozers that knock over your local bookstore.  Bookstores are kind enough to allow authors to read on their premises, creating local events that make your community more fun and interesting.

I can’t remember the last time Amazon sponsored a reading.

But anyway, if I’m not coming near you, I strongly suggest you try IndieBound to support your local store.

3 CommentsPosted by Ed Lin at 5:38 am

March 14, 2010

Waylaid Redux Readings, Only at Giant Robot

To borrow a title from a Wire bootleg, “A Terrifying Trip to the Past!”

In April I will be reading from Waylaid, my first novel, which was published eight years ago. This will be the first time that I have read from this book on the West Coast and also the first time in many years since I have read extensively from it.

When this book first came out, I was attacked by many publications that decried my “miserable” (San Francisco Chronicle) young narrator who wallowed in sexual fantasy while toiling at his parents’ motel in Jersey. A lit blog that has since shut down called it “garbage.”  I had readings on the East Coast where people would regularly walk out.  A jerk at Cornell essentially called me a homophobe, as if the depiction of homophobia was homophobic.

But the book also found strong support.  I was chuffed to see a nice review in Playboy, and Booklist just loved it to death, as I did and still do.

Now that time has gone by, it’s amazing to me how many Asian American lit classes have included the book or excerpts from it.  In fact, Jessica Hagedorn saw fit to include the first two chapters in the groundbreaking “Charlie Chan Is Dead 2” anthology.  I think someone made a movie out of it, too.  And even my old pal, the San Francisco Chronicle, remarked years later that Waylaid was “well-received” while giving a slightly more positive review for This Is a Bust.

Waylaid has earned its spot as an undeniable landmark in American literature.

Anyway, this is going down only at Giant Robot locations in Los Angeles and San Francisco.

Monday, April 26, 7 pm, GR2, 2062 Sawtelle Blvd, Los Angeles, (310) 445-9276

Thursday, April 29, 7 pm, Giant Robot SF, 618 Shrader Street, San Francisco, (415) 876-4773

Speaking of Giant Robot, if you haven’t heard, the magazine has been walloped by a perfect storm of the economic downturn along with higher postage costs.

I first read Giant Robot when I found a copy at the Asian American Writers’ Workshop in 1994.  I was knocked out by the visuals and also the quality of the writing, which didn’t do the typical pussyfooting the other Asian American magazines did.  I love everything they do.

I’m sure many of you have similar feelings for Giant Robot.  Please help now.

1 CommentPosted by Ed Lin at 9:17 pm

February 6, 2010

Snakes Can’t Run, but They Do Tour

Cheeky!

Snakes Can’t Run is almost here!  It’s right around the corner!  (April)

I’ve posted some upcoming dates in the calendar, so I think you need to plan accordingly.  If you want to see me in your town, give me a shout-out and I’ll see if I can make it happen.

Dude, the book recently received a starred review in Publishers Weekly:

Snakes Can’t Run Ed Lin. Minotaur, $24.99 (288p) ISBN 978-0-312-56988-4

Set in New York City in 1976, Lin’s accomplished second novel to feature NYPD detective Robert Chow (after 2007′s This Is a Bust) finds the Chinese-American cop, who’s still haunted by memories of his service in the Vietnam War, relegated to undercover work posing as a Con Ed worker. Meanwhile, other officers in Chow’s precinct are focused on apprehending the FALN terrorists who set off a bomb right outside police headquarters. The murders of two Asian men, who are shot and dumped under the Manhattan Bridge, take Chow away from the drudgery of his undercover assignment and onto the trail of the head of a ring of human smugglers known as snakeheads. Lin portrays the police, including his lead, warts and all, and paints a convincing picture of Manhattan’s Chinatown. Readers interested in the integration of Asian-Americans into American society, as well as those who like gritty procedurals, will be well rewarded.

You could pre-order this book on Amazon, but considering the recent spat with Macmillan (parent company of my amazing publisher, Minotaur Books) and the hardball negotiations of Amazon (which employed tactics worthy of China when it “negotiates” with Tibetans), I heavily and heartily suggest that you buy my books at the stores that I will appear at or try IndieBound.

6 CommentsPosted by Ed Lin at 1:40 pm

January 20, 2010

My Life in “Community” Service, part 3

Me in 1991.  The other Ed took my picture against a Mr. Softee truck to soften my image.

When I was finished with college in 1991 and had finally secured my mining-engineering degree, I went about doing what I really wanted to finish – my literature-writing degree.

It wasn’t so much that I wanted the degree itself.  I was reading and writing a lot on my own.  But I needed that degree because I wanted to go to journalism school.  An engineering degree alone wasn’t going to cut it for admission.

I also needed an appropriate internship.

Back then, several fledging Asian American publications were floating around New York City and while nearly all of them would gladly take submissions, there were basically no staff positions.  Late that summer, I wrote to a newspaper that I’ll call Super Asian News and asked if I could intern there.  It was based just outside of Koreatown, which at that time was only one block on 32nd Street between Fifth and Sixth.

This woman I’ll call Jane Lee called me a few days later and asked if I wanted to come in for an interview.  The office of Super Asian News was at the top of a straight walkup – one could look directly up at the four flights of stairs that reminded one of my friends of the end of “The Exorcist.”

Jane Lee regarded me with a small smile as I trudged up the stairs.  When I got closer I saw that she was in her late 40s.  I don’t remember what we talked about but the next day, and many days after, I would ascend those very steps to the humble offices of Super Asian News.

I was being paid a certain amount of money, but nothing to write home about, mainly because it would barely cover the postage.

The office was about 20 feet by 20 feet – big enough for several desks, a phone and some file cabinets.  But there were no computers or printers.  Where was the rest of the staff?  Well, it was just Jane and me.

Jane had planned a nearly complete outsourced business model.  All the writers were freelancers, as were the designers and production side.  Considering the state of journalism today, one could say that that was rather forward-thinking.  Super Asian News was a 16-page monthly, and Jane had planned to handle all the advertising and marketing herself.  Apart from being a freelancing line editor, I was going to handle the editing.

My first project was taking a monstrous, book-length manuscript written by a friend of Jane’s and cutting it down to sections short enough to run in serialized form.  Although the manuscript was a memoir of the Korean War, it was contrarian in that it was boring and academic.

In fact, most of the stories in the issue I started with (I think it was the fourth or fifth issue of Super Asian News) were from professors of Asian descent from New York colleges. We were also set to publish two or three “I can’t believe that racism still exists!” essays from young writers still in college or just out.  And almost everything we were about to publish was just terrible.

Let’s put things in context, though.  At this time there were two nationally distributed Asian American magazines, both glossy.  One always ran cheesecake on the cover and praised Asian business owners in its editorial content.  The other magazine not surprisingly had “The Sex Issue” every third issue and included dumbed-down content (I recall a personal essay in which Asian women were praised as being perfect Southern belles by virtue of their small waists.)

My big problem with the magazines was that upfront, on the editor’s page, there was talk of fighting stereotypes.  But out the back door, their pitches to potential advertisers totally played up the model minority crap – Asians are well-educated and have more disposable income than any other group, including whites!  Perhaps most disgracefully, both magazines ran ads for eyelid surgery.

So Super Asian News wasn’t that bad a place to be.  Sure, the content sucked, but at least we presented the same face to our readers and advertisers.

Oops, what advertisers?

Although the one issue I saw before I joined was full of ads, none of them were paid ads.  Jane merely took the ads from the Daily News or The New York Times and reprinted them to give us more prestige.

We outsourced the layout and production to this woman who would do it in her apartment.  Jane didn’t trust her to do it on her own, so she sat next to the production person at the computer for the several hours over several days that it took to lay out.  Why did I have to be there, too?  I guess Jane didn’t trust me alone in the office.  For one thing, someone was using Super Asian News’ phone to place long-distance calls.

Super Asian News didn’t pay for its office space.  It was donated by some guy who had planned to live in the space, but couldn’t get the building rezoned for residential use.  This guy would still sneak on the weekends and take showers there.  Jane suspected that he was using her phone, so she would unplug it and lock it in a file cabinet when we left for the night.

Enter the Other Ed

The September issue came back from the printer the first week of that month. One of Jane’s friends had a van and we drove around Manhattan and Queens, dropping off bundles of newspapers at the student centers of colleges.  We also gave them away to newsstand owners to sell.

The next week, Jane took her phone out of the file cabinet, plugged it in and waited for it to ring. Surely, college students, professors and newsstands would be clamoring for Super Asian News.

Unfortunately, the calls were few and even those were along the lines of, “Can we get a discount for our college?”  The subscription was only $20 a year, or 12 issues, but then again, 1991 was a tough year!  The economy was in the tank, layoffs were pervasive and many who had graduated with me headed to grad school to avoid the fruitless task of trying to find a job.

One caller was another guy named Ed.  He was a few years older than me, and was anxious to come work for Super Asian News.  Jane hired him to be my boss.  I was a little annoyed at first because here was this dude just walking in and now I had to take orders from him.  But I grew to really like Ed a lot and enjoy working with him.  In fact, because it was he and I doing everything, he was a co-worker and not a boss.

He really knocked my socks off by telling me he had written two novels.  After college, he got a night job behind the desk of a hotel in Atlantic City and spent the days writing.  Ed said that nearly every night he saw the same scene at work: somebody on the lobby payphone making a collect call, sobbing, “I lost it all. . .”

One of Ed’s novels was influenced by things that happened at the hotel.  The other was something he’d been cradling since college and had been written on a typewriter.  I freaked out when he told me that.  I insisted that he back it up by typing it into a computer, but he said it would lose flavor by being in electronic form.  “Advancing the roll is a labor of love,” he said.

He invited me over to his apartment to check out his books.  Ed lived in an apartment on Avenue D, and this was back when it was still called Alphabet City.  It wasn’t as rough a neighborhood as it used to be, but there were still signs of the violent past.  His building entrance had a bullet hole through the glass window.

Ed’s apartment was small but bigger than mine.  I sat on his couch and he got a Coke for me.  I set the can on the floor and picked up his typewritten manuscript.

“Ed,” he told me.  “Don’t put your soda on the floor.”

“Why not?” I asked.

“Last time I did that, I took a sip and then I had something chewy in my mouth.  I spit it out in my hand and I saw it was a cockroach.”

“That’s fucking disgusting, Ed.”

“Yeah, you know I just put it back in my mouth and ate it.”

“Are you nuts?”

“I figured I already ate half of it already, so it didn’t really matter.”

I picked up my soda and cradled it.  I knew I had to protect it.  I also knew that Ed wasn’t as stable as I thought.  He told me that he was so fed up with the country under George H.W. Bush that he had quit his job in Atlantic City and was going to Paris to write.  But a week before his flight, he had gotten in a bad car accident and was in a near-coma for several days.

That was a few years ago and things still hadn’t come back together.  Ed was also planning to apply to journalism school after the Super Asian News stint.  Now I was mildly annoyed.  If we applied to the same schools – including my top choice, Columbia – they might take my “boss” instead of me!

How could I read his manuscript now?

When I left I picked up a few almanacs to read through.  The Columbia current events and writing test was coming up in December and I’d be damned if he was going to do better than me.

Nothing but Worries

I was more worried than I had been in a long time.  I have never been one to struggle with self-doubt.  Yet at the time I was terrified that Coma Ed was going to do in my plans for journalism school.

I still had three more classes to finish my literature-writing B.A., but I knew that that wasn’t going to lead to a job.  I needed that journalism degree so I could do that reporter-by-day-novelist-by-night sort of thing.

(One of my writing teachers at Columbia shook his head sadly when I told him of my plans of mixing journalism and creative writing.  “You’re trying to get on board that old American hang-up,” he said.  Years later he declined to blurb my first novel Waylaid – in fact, he declined to even read it.)

But now my plans and ability to execute on them were in jeopardy.  Let’s say you’re the admissions officer of a graduate journalism program.  You have two applications from two Asian American applicants.  They both work at the same newspaper.  Hell, they’re both named, “Ed.”  Who are you going to take?  The “Editor” or “Assistant Editor”?

I’m pretty good at overthinking any situation and freaking myself out.  I bought three different almanacs of the last year to bone up on the current events and essay-writing test Columbia Journalism was administering in December.  I kept one on my bed, one in my bag and one. . .oh, no, where the hell did it go?  Damn, now I was down to two!

It was now October.  I worried every moment I was awake.  I wrote short stories with much unease (one was published in the first issue of the Asian Pacific American Journal put out by the one-year old organization, Asian American Writers Workshop). I watched TV with one of the Almanacs in my lap, reading during commercials and unable to find anything I saw funny.

During my fortnightly calls to beg for more money from my parents, they were bugging me to come home and work at the family business.

Journalism?  What’s journalism?  It’s not medicine.  It’s not law.  Why do you want to do it?  What kind of career are you going to have?  You want to write books?  Become a doctor first and then you can write books at night!

Despite my parents’ growing impatience as I progressed to complete vagrancy, I still managed to hold my parents to the terms of a deal.  If I got into Columbia Journalism School, they’d help pay for it.  If I didn’t, I’d come back and work at the family business for XX years.

I ended calls with the customary recitation of the deal, and my father would close by growling, “You’d better not get in!”

Pow!

What was that?  The sound of one or both of my almanacs sliding off of my chest and onto the hardwood floor of my crappy little studio. I’d fallen asleep again on the couch that I bought for five dollars from a homeless man in the street.  After I had paid him for the couch and dragged it several blocks, another man chased me down to tell me that I had paid the wrong guy.  But I pulled out my empty pockets to show him I didn’t have any more money – not even a wallet.  He shook his head as he walked away.  I heard change jingling in his pockets.  He had more than me.

It was a crappy couch, but it worked.  You could actually sit on it.  Or fall asleep on it after reading almanacs on it from beginning to end, trying to cram the equivalent of Wikipedia in my head.  Shit, are there going to be questions about the turmoil in the USSR?  Now I’d have to read the newspaper every day, too!  The things a journalist has to do. . .

The Minuses of Ad Sales

By the middle of October, Ed and I had expanded our repertoire to selling ads for Super Asian News.  Door to door.

Jane had informed us one day that she had run out of money.  The October issue was saved on a series of floppy disks, but she didn’t have enough to actually print them.  Because our office was on the border of Koreatown, Jane sent Ed and I to solicit the local businesses to take out business-card-sized ads at $10 each.  That seemed cheap enough.  All we needed was 100 of these mom-and-pop businesses to buy in and we could send this thing off to the printer.

Two major holes in the plot: Neither Ed nor I could speak Korean, and nobody wanted to advertise in an English-language publication, even if it was called “Super Asian News.”

Jane herself could have come with us, but she refused.  She had to wait by the phone.  There were a number of potential investors who could swoop in at any second.

When I think back to the week or so that Ed and I walked around Koreatown methodically (and yet, aimlessly, as we couldn’t read signs or communicate with people), it all comes back as a silent, black-and-white film in my mind’s eye.  I see two sad clowns walking up and down the endless stairwells of Koreatown.  I see looks of puzzlement and annoyance from businessmen and businesswomen who are having a hard enough time during the recession.

There aren’t any stunts from Buster Keaton or Harold Lloyd to leaven the misery.  There’s no bum who shows up with the fortune he’d squirreled away to save Super Asian News.

By Thursday Ed and I agreed to split up to cover more ground.  He went to cover the western half of Koreatown and I went to Electronic Boutique in the Manhattan Mall to check out the Sega Genesis games I couldn’t afford.

We met up at a bulletproof-glass Chinese place for pitiful pork-fried rice ($3) and compared notes.

“What did you do, Ed?” he asked me.

“I didn’t do shit,” I said, popping open a can of White Rock cola (50 cents).  “What did you do?”

“I went to that really nice Chinese restaurant by Penn Station.  The one with chandeliers and tablecloths.  I went in after the lunch rush and managed to corner the owner.  I showed him Super Asian News and he sat down with me at a table.  He pointed to the rugs on the floor and the rugs on the walls.  ‘Look at this place,’ he said. ‘Do you really think I would advertise in a newspaper like this?’”

“Oh, man, that’s fucking cold!”

“I just realized right there and then how shameless a salesman has to be in order to get the job done.  And I knew that I was a man who felt shame.”

We didn’t say much else.  As we ate, I kept my head down, watching grease drip from the corners of our fried-rice boxes onto the cut-up cardboard on the floor.

Ed didn’t come into work Friday.  Jane sighed heavily as the hours went on.  I was busy editing articles for November’s issue so that when the money finally came through, we’d have two issues ready to run on the presses.

Ed hadn’t called in, but Jane also refused to call him.  It was a standoff: Exploited and young Asian American idealist versus Asian (not American) businesswoman wannabe.

“This is not how you quit,” she told me several times.  “Not this way.”

Later, she told me that the Moonies had offered her money to keep Super Asian News afloat, but Jane had refused on principle.

I wondered how the Moonies even got in touch with her.

I wondered if there were in fact Moonies who had gotten in touch.

I wondered how long Jane could sit like that staring off into nothing.

I wondered how much longer I could stay at Super Asian News.

Testing Time

I took the Columbia Journalism School test on a cold morning in a room with 50 other people.  We all sat at computer monitors bathed in a sickly green glow.  I craned my neck before the test started to look for Ed, but I didn’t see him.

I typed in answers even though it didn’t seem like I was sure of anything.  The essays I was writing didn’t make sense when I reread them.

I felt numb when I was done.  I had no idea how I did.

I walked down Broadway and stopped at Mama Joy’s for a pint of New York Super Fudge Chunk.  I started eating it in the street before I got back to my apartment.

I was terrified that I was going to be heading to my parents’ house in rural Pennsylvania.  Well, if that was going to happen, then I wasn’t going to bother reapplying to journalism school.  I had only applied to Columbia in the end because, hell, it was in the middle of the media center of the world and had connections to every news organization.

Now, as I crunched chunks of black and white chocolate, I collected my thoughts.  My mother was right.  I always could write at night.  In fact, I could probably start putting short stories together and then start submitting them to all these journals.  In a year, I could even have an agent and a book deal.

I continued to eat ice cream as I entered my building and opened my apartment door.  When I was done with the pint, I took a shower and went to sleep.

Jane seemed a little bit happy when I told her I didn’t think I did so great.

“You could always keep working for me,” she said.  That was funny because she said that starting in January, she couldn’t even pay my pitiful salary anymore.

The fact that Ed was gone hadn’t made the finances any easier.  Despite his higher title, she hadn’t been paying him anything.

After a wonderful holiday with my parents, I called Ed to see how he did on the test.  He probably kicked ass.  He was much more well-read than me and probably had magical essay-writing powers gleaned from the typewriter method of writing.

“I didn’t bother take the test,” said Ed.  “I just said, ‘Fuck it.’”

“Why, man?  You already paid for the application.”

“I just thought about it and I don’t want to go back to school.  If you really want to be a journalist, you should just start freelancing and build up some clips.  Most journalists want to eventually become freelancers, anyway.”

“Maybe you’re right.  By the way, Jane was pretty upset about you quitting.”

“I didn’t quit.  I just never came back.  What’s the point to it?  Super Asian News is done.”

“But all we need is some money and we can print the October issue.  We can even change it to October slash November.”

“Listen, Ed. Get out of there!”

“I’m not giving up on this.  The community needs something that isn’t that stupid Sex Issues Only Magazine.”

“Don’t be stupid!  It’s not a movement you’re taking part in!  It’s a business, and you’re working for an owner!  And it’s a badly run business, too!”

“But we might get some money from the Moonies.”

“You’re on a trip to the Moonie!”

I kept going in, but Ed had gotten to me.  I was trying to imagine how I would spend my days if I weren’t at Super Asian News.  I wasn’t sure quite how I was going to quit, though.

One day, Jane asked me to go to RadioShack to get something, I think it was a phone part, and she gave me a five dollar bill for it.  But then the thing cost two dollars more and I had to use my own money for the difference.  That really pissed me off.  Not only was I donating my work to Jane and Super Asian News – I was paying to work there.

I got back to the office and showed her the receipt.  She got all huffy herself and threw me two dollars.  I don’t think we talked the rest of the day.

I spent that night thinking of what I should do.  In the end I wrote, by hand, a note: “I can’t work here anymore for you.”  I mailed it, along with a bunch of floppy disks of the early December issue.

I started going to meetings of the Asian American Writers’ Workshop, this fledging little group that met up at the battered folding tables in the Asian American Arts Alliance on Lafayette Street. I got Ed to join me there, too, and pretty soon we were both cranking out short stories.

It was an early start to that collection of short stories.  You know, for when I got rejected by Columbia Journalism School and had to head home.

Applicants were supposed to hear back from Columbia in late February or March.  I held my breath every day before checking my mail.

There was usually nothing.

Incredibly, I was already receiving solicitation letters from Columbia (the undergraduate school), even though graduation was less than a year ago.

When it hit April, I was pretty frantic.  I was too scared to call the admissions office, afraid that when they realized that no one had rendered a decision on me, the immediate reaction would be to reject.

In late April, I opened my mailbox and saw a fat manila envelope curled against the back wall.

I exhaled slowly and reached out for it.

I grabbed one edge and pulled it back to read the return address.

It read, “The Graduate School of Journalism of Columbia University.”

I did it.

6 CommentsPosted by Ed Lin at 10:04 pm

November 22, 2009

Let’s Give ‘White’ People Some Credit

How come Asians never sit in the front row?

At the Page Turner festival a few weeks ago, I read a short piece in which I channeled my mother — accent, broken English and all.

During the Q&A, this Asian woman asked me if I would read the same piece to a “white” audience, because in front of an “Asian” audience, “we’re all in on the joke” with the accent.

I don’t remember exactly what I said, but I was annoyed and sort of mean (when the event is posted to YouTube, I wonder if they’ll include that part).  I said something along the lines that I was trying to authentically portray my mother and that I read for myself without trying to tailor my work for any particular audience to seek approval.

But the question still annoys me.

For one thing, it assumes that all “white” people are ignorant jerks ready for a laugh drawn on stereotypical lines.

For another thing, my mother accent isn’t “the joke.”  What kind of jackass would I be for counting on a Chinese accent for laughs?

Essentially, my short piece is saying, “This is my mother.  She’s quite a character.  If you ask her to tell you a ghost story, this is what you’ll get.”

Let’s give “white” people some credit.  They are not all ignorant jerks out to screw over people of color.  Certainly not the “white” people who show up for book readings.  Larry the Cable Guy is not going to come to a Snakes Can’t Run reading.

And speaking of people of color, I put “white” in quotations because Asians come in all colors.  That “white” guy sitting next to you could have a gay Korean dad.

Believe it or not, the Asian-woman questioner later came up to my wife to compliment her on her performance in “Children of Invention,” in which her character speaks with a Cantonese accent!

4 CommentsPosted by Ed Lin at 1:21 pm

November 3, 2009

Indianapolis -> NYC, via Greyhound (A Pictorial)

1 CommentPosted by Ed Lin at 12:55 pm

October 13, 2009

Indianapolis, Mass Transit and Me.

Not quite the journey of a thousand miles.

You may know that I am attending the Bouchercon in Indianapolis.

You may not know that I am taking Amtrak there and Greyhound back.  It’s about 22 hours each way.

I honestly want to see if mass transit is a viable alternative to air travel.  It’s also green, man.  And I’m all about the green.

I will be updating the traveling there and back as well as the Bouchercon/Indianapolis in the upcoming days. You may be amused by keeping tabs on my Twitter and Facebook.

All the action starts 4:30 AM EST Wednesday.

2 CommentsPosted by Ed Lin at 6:08 pm

October 1, 2009

Eagle Twin, Pelican, Earth and Sunn 0))) at Brooklyn Masonic Temple, Sept. 22

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If you’ve worn one of these on your wrist, you’re going to Hell.

I don’t know how long the Brooklyn Masonic Temple has been putting on shows, but it was a trip for me to go to my old neighborhood, Fort Greene, to see a concert.

The crowd (read, “men and boys”) dressed appropriately in decayed metallic wear for the bill of four Southern Lord acts: Eagle Twin, Pelican, Earth and headliner Sunn 0))).

My takeaway is that I have seen the future of heavy music and that Pelican is that future.

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Twin Eagle, you guys definitely look cool and I will listen to your new album “The Unkindness of Crows” many more times.

Twin Eagle is a duo of a guitar player who can also throat sing and a tireless drummer who soon became shirtless. They did have a full and developed sound, but it isn’t really for me, at least not this night.  Their new album is growing on me, though.

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Pelican! Yes! Yes! Yes!

Next up were Pelican. Did they get their name from the fact that all four members are tall and lanky?  They are an all-instrumental band and there are elements of various species of metal and tuneful punk.
Sound good to you?

Here’s another cool thing about the band.  They are down with tapers, so check out some of their live shows on archive.org.

Despite the lack of a traditional frontman, Pelican did have a rapport with the audience. One of the guitarists would move to a microphone on the side and speak in modest words.

“Thanks for coming early,” he said early on. Later he noted they were playing songs from a forthcoming album on Southern Lord.

Pelican won fans that night, and the applause grew with each song.

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Down to Earth.

Earth, another vocal-less band, was up next, but their set was delayed by apparent problems with the drum set up. Leader Dylan Carlson was friendly and affable from the start, but while playing, he would turn his back on the crowd to concentrate. They opened with “Omens and Portents II.”  At the end of the song, somebody yelled out a loud “Yee haw!” and Carlson chided him with, “You’re at the wrong show!”

The title track to The Bees Made Honey in the Lions’ Skull was next.  The acoustics for the temple were perfect for Earth’s slow-core, epically cinematic sound.  Every instrument – guitar, bass, drums and keyboards – was distinct and yet also came together at key points as if jazz were the genre.

Then they played a new song from their as-yet-unrecorded new album. Fans won’t be disappointed when said album is released next year.

Three songs and that was it for Earth, barely more than half an hour of playing time. The crowd bellowed for an encore, but Carlson shrugged. The matter was out of his hands, as Sunn 0))) had to set up.

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Sunn o))) of a. . .

They should have let Earth do an encore.  Sunn 0))) was supposed to go on at midnight, but well past 12:30 am, the only thing moving on stage was concert fog accompanied by pre-recorded throat singing.  The crowd grew antsy and there was a palpable annoyance running throughout the fully attended sold-out show, particularly among those standing on the ground floor.

Finally Sunn 0)))’s two principals, Stephen O’Malley and Greg Anderson, came out in hooded black robes.  They proceeded to wield guitars and basses in front of their amps, slashing away in the air to get better howls of feedback.  This went on for almost 20 minutes before vocalist Attila Csihar came out in a robe and narrated a story about humankind and rituals before a few rounds of throat singing punctuated with guttural grunts.

I remember thinking at the time that this portion of the show was painfully boring. Yet, as I turn to my recording of the show, I actually find it interesting and yielding more with each listen. The guitars, but the way, were turned up in accordance to the band’s mantra, “Maximum Volume Yields Maximum Results.”  (It was the second-loudest show I’ve ever been to.  My Bloody Valentine at Roseland last year was several-fold louder – it was the only show I’ve been to where I could feel my clothes rippling on my body from the soundwaves alone.)

After that section, Csihar made a costume change into a goth Statue of Liberty complete with mirror pieces and shooting red lasers from his fingertips.  He later changed into an outfit that resembled a tree growing through a burlap sack.

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Sunn 0))) finally sets.  It’s past 2 AM at this point.

At the end of their set, Csihar crawled out of his costume, baring his upper body, and all three men bowed,  waved and raised their arms in triumph — acknowledging the crowd for the first time in their 90-minute set.

Oh, and by the way, if you were looking for Sunn 0)))’s latest album Monoliths and Dimensions on vinyl or the (初心) Grimmrobes Live 101008 cassette (!), the merch table on the current tour is the only place to get them. (Whoops!  Wrote too soon!)

Congratulations to the Blackened Music Series for putting up such an unforgettable show. I didn’t enjoy every minute of it, but it was continuously challenging in the aural, intellectual and spiritual senses.  I’ll be back.

No CommentsPosted by Ed Lin at 11:16 pm

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